Artwitch Extraordinaire

Artist Statement

Niema Lightseed (she/her) is a multidisciplinary artist working across painting, clay, poetry, sound, and participatory experiences. Her practice explores how art might function as a site of repair, reorienting human relationships to embodiment, community, and the more-than-human world. Through sustained attention to natural systems—from mycelial networks and nervous systems to spirals, rivers, and forests—she investigates forms of intelligence that emerge through interdependence rather than the illusion of individuality.

Approaching artmaking as both ritual and inquiry, Niema understands materials as collaborators with their own capacities, histories, and wisdom. Oil paint, clay, language, and sensory experience become methods for practicing a balance between intention and surrender, structure and improvisation. Her work asks what alternative ways of knowing become available when we listen deeply to bodies, materials, and ecologies often dismissed by dominant systems of value.

Informed by experiences of disability and neurodivergence, her practice proposes that translinearity and altered forms of perception can expand our understanding of what it means to flourish. Through magical realism, multisensory environments, and acts of poetic attention, Niema creates invitations into collective reimagining—offering spaces in which repair, wonder, and renewed belonging might take root.

Bio

Through painting, creative ritual, and word-smithing my work seeks marrow and root, hidden mountain stream and life-preserving sporulation.

I am a forest creature trying to offer the scent of moist moss and cedar through multi-sensory experiences, on a long quest of remembering and re-storying human interconnectedness within the web of life.

Born in 1980, I grew up on Neshnabé (Potawatomi) land, called Chicago and its suburbs, moving between skyscrapers and dandelion fields.

I received my BFA in Theatre Performance from Roosevelt University and pursued acting for a few years, gradually transitioning into teaching yoga after I trained as a Hatha Yoga Teacher at the Temple of Kriya Yoga. The bedrock of over two decades of somatic practice holds me still.

In my late twenties I followed a heart call West, spending a few years moving between Maui and the SF Bay Area, picking up a field education in various dance forms, community organizing, gardening, and festival curation. I helped organize Burning Man theme camps for several years and taught at a number of prominent Bay Area yoga studios.

In 2013 I moved to Portland, Oregon, and continued my exploration of the body’s wisdom and somatic wellness practices by becoming a professional therapeutic bodyworker.

Through much of this time I was challenged by intense and mysterious symptoms. They worsened during the pandemic enough to cause me to seek diagnoses and treatment, and I learned I have multiple sclerosis and ADHD.

A large part of my personal creative renaissance past few years, including the decision to attend grad school at CalArts, was born from the desire to process and come to peace with the challenges of disability.I started painting nerve cells and mycelium as love letters to my damaged nervous system, and was opened to the interconnected web through which all life communicates.

I attempted to make space for the complex beauty of my neurodivergence, and found a portal to the dynamic imaginative force that knows life is far more expansive than normative narratives could ever contain.

Now I create work as practical prayer. Informed by my iterations as shy fat nerdy girl, actor, yoga teacher, energy healer, festival organizer, performance poet, spiritual guide, and bodyworker I use paint, clay, metal, ritual, and words to manifest healing in my psyche and support folks to taste repair and homecoming.